One Hundred Aspects of the Moon - Considered his masterwork, Yoshitoshi's series One Hundred Aspects of the Moon features one hundred oban size woodblocks, published between 1885 and 1892. These quiet and reflective prints, beautifully composed and drawn, feature subjects from traditional Japanese and Chinese history and legend, rendered with great sensitivity and emotion. The moon appears in all but a few prints, providing a unifying motif for the series.
Yoshitoshi's innovative designs for the Moon series are often elegantly spare, with simple backgrounds that focus attention on the human figure. He combines the western influences of realism and perspective with qualities from traditional Japanese and Chinese painting, such as the emphasis on calligraphic brushstroke. The figures are carefully drawn with beautiful linework, conveying a real sense of individual character, gesture, and emotion. Special printing techniques such as embossing and burnishing add a sumptuous touch where appropriate, but simple subjects are conveyed in a likewise manner, no less carefully observed.
Prints from the series were released singly or in groups every few months, with the final image completed shortly before Yoshitoshi's death. The series proved tremendously popular, with patrons lining up to purchase the new releases as soon as they became available. Today, One Hundred Aspects of the Moon remains Yoshitoshi's most well-known work, characterized by his artistry, compassion, and sensitivity in portraying the human experience.
Faith in the Third-day Moon - Terrific portrait of the great warrior Yamanaka Shikanosuke Yukimori, who faithfully served his master, the lord of Izuno province. When the Mori Clan killed his lord, Yukimori escaped and raised an army to evict the Mori, fighting against them for ten years and dedicating his life to avenging his master. The samurai stands proudly, glaring ahead defiantly, his full beard denoting strength. The crescent moon emblem on his battle helmet represents a "three day moon," the shape of the new moon on the third day of each lunar month, and a lucky symbol that Yukimori superstitiously adopted. The crescent is also echoed in the shape of his pole arm, called a kamayuri or sickle spear. Beautifully detailed with fine line work, burnishing in the armor, and faint cloth embossing to the gray background. A bold
Artist - Yoshitoshi (1839 - 1892)
Image Size - 12 7/8" x 8 5/8" + margins as shown
Condition - This print with excellent color and detail as shown. Nicely printed. Backed with paper. Please see photos for details. Nice overall.