Osaka Prints - Produced in the Kansai region, including Osaka and Kyoto, Osaka prints or kamigata-e are instantly distinguishable from typical Edo ukiyo-e. A major difference is the choice of subject matter. Osaka prints were nearly always portraits of actors or kabuki scenes. In contrast, Edo print subjects included beauties, landscapes, nature scenes, warriors, and historic events, in addition to kabuki.
Distinctly different artistic styles also emerged in Edo and Osaka in the 18th and 19th century, resulting in certain recognizable characteristics for each area. Osaka prints feature more subtle, serious figures, reflecting the wagoto or soft style of acting prevalent in the area, along with distinctive facial expressions. The aragato or brash manner of acting popular in Edo influenced print designs towards bolder images of heroism and military prowess.
Much like the style of the prints, the demand for ukiyo-e in the cities of Osaka and Edo also varied. Osaka produced far fewer ukiyo-e designs than Edo did. As a consequence, Osaka prints are rarer and also some of the highest quality prints made in the 19th century, with many featuring deluxe techniques such as burnishing or embossing. Osaka prints are a rare and wonderful collecting area of Japanese woodblocks.
Special detail - Embossing on the white kimono, metallic pigment that has oxidized to a dark tone on the beauty's kimono, the samurai's red vest, the blade of the pole arm, and the hilts of the swords. Nakamura Jakuemon plays Mirua Hitachi and Nakamura Komanosuke appears as the monk.
Artist - Yoshitaki (1841 - 1899)
Image Size - 9 1/2" x 21" + top margin as shown
Condition - This print with excellent detail as shown. Three attached panels, backed with paper. A couple wormholes, repaired. Please see photos for details.
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