Osaka Prints - Produced in the Kansai region, including Osaka and Kyoto, Osaka prints or kamigata-e are instantly distinguishable from typical Edo ukiyo-e. A major difference is the choice of subject matter. Osaka prints were nearly always portraits of actors or kabuki scenes. In contrast, Edo print subjects included beauties, landscapes, nature scenes, warriors, and historic events, in addition to kabuki.

Distinctly different artistic styles also emerged in Edo and Osaka in the 18th and 19th century, resulting in certain recognizable characteristics for each area. Osaka prints feature more subtle, serious figures, reflecting the wagoto or soft style of acting prevalent in the area, along with distinctive facial expressions. The aragato or brash manner of acting popular in Edo influenced print designs towards bolder images of heroism and military prowess.

Much like the style of the prints, the demand for ukiyo-e in the cities of Osaka and Edo also varied. Osaka produced far fewer ukiyo-e designs than Edo did. As a consequence, Osaka prints are rarer and also some of the highest quality prints made in the 19th century, with many featuring deluxe techniques such as burnishing or embossing. Osaka prints are a rare and wonderful collecting area of Japanese woodblocks.

Special detail - Delicate cloth embossing on linings and trim of each kimono, and the gray obi, arm protectors, and leggings of the figure at right. A scene from Act IV of "Satomoyo Kabuki no Inazuma" featuring from right, Mimasu Daigoro IV as Sasaki Kurando (R), Nakamura Utaemon IV as Fuwa Banzaemon (C), and Jitsukawa Enzaburo I as Nagoya Sanza.

Artist - Hirosada (active circa 1847 - 1863)

Image Size - 9 7/8" x 20 5/8"

Condition - This print with excellent detail as shown. Three attached panels, backed with paper. Slight separation at ends of vertical fold between panels, a few wormholes, repaired. Slight toning and soiling, a few creases, stains, panels slightly curled. Please see photos for details.