Clam Gathering at Shiba-ura Surimono

by Hokkei (1780 - 1850)

Current Status

Clam Gathering at Shiba-ura Surimono by Hokkei (1780 - 1850)

Hokkei (1780 - 1850) Japanese Woodblock Reprint
Clam Gathering at Shiba-ura Surimono

Surimono - Surimono are an exclusive subcategory of Japanese woodblock prints. Poetry clubs commissioned these designs for distribution to a small audience of members, most often as New Year's greetings. These privately published images included a wonderful range of subjects and lavish printing techniques such as embossing, burnishing, and metallic pigments. Since surimono were not sold commercially, the print runs were very small and original Edo era surimono are incredibly rare in the market today. These fine quality suriomono reprints offer a great way to collect these classic designs at an affordable price.

Comments - Wonderful surimono image of two beauties, a man, and a small boy gathering clams in a basket along the shore at Shiba-ura. Detailed with embossing on the clouds, and embossing and metallic pigment that has oxidized to a dark tone on the waves. A charming design.

Woodblock reprints - In the 20th century, artists and publishers collaborated to recreate famous woodblock prints for interested Japanese collectors and Westerners looking for rare designs. New blocks were made, and the prints were painstakingly printed by artisan printers in the same method as the 19th century originals - one block for each color. Woodblock reprints were an opportunity to collect and enjoy a famous design at a small fraction of the price of an original. They still are today.

Artist - Hokkei (1780 - 1850)

Image Size - 8 3/8" x 6 7/8"

Condition - This print with good color and detail as shown. Paper remnant on reverse at right edge from previous mounting. Slight toning. Some prints have slight soiling, a few creases, or a few spots. Please see photos for details. Generally in good condition overall.

Clam Gathering at Shiba-ura Surimono by Hokkei (1780 - 1850)
Clam Gathering at Shiba-ura Surimono by Hokkei (1780 - 1850)