One Hundred Aspects of the Moon - Considered his masterwork, Yoshitoshi's series One Hundred Aspects of the Moon features one hundred oban size woodblocks, published between 1885 and 1892. These quiet and reflective prints, beautifully composed and drawn, feature subjects from traditional Japanese and Chinese history and legend, rendered with great sensitivity and emotion. The moon appears in all but a few prints, providing a unifying motif for the series.

Yoshitoshi's innovative designs for the Moon series are often elegantly spare, with simple backgrounds that focus attention on the human figure. He combines the western influences of realism and perspective with qualities from traditional Japanese and Chinese painting, such as the emphasis on calligraphic brushstroke. The figures are carefully drawn with beautiful linework, conveying a real sense of individual character, gesture, and emotion. Special printing techniques such as embossing and burnishing add a sumptuous touch where appropriate, but simple subjects are conveyed in a likewise manner, no less carefully observed.

Prints from the series were released singly or in groups every few months, with the final image completed shortly before Yoshitoshi's death. The series proved tremendously popular, with patrons lining up to purchase the new releases as soon as they became available. Today, One Hundred Aspects of the Moon remains Yoshitoshi's most well-known work, characterized by his artistry, compassion, and sensitivity in portraying the human experience.

One Hundred Aspects of the Moon - Considered his masterwork, Yoshitoshi's series "One Hundred Aspects of the Moon" features one hundred oban size woodblocks, published between 1885 and 1892. These quiet and reflective prints, beautifully composed and drawn, feature subjects from traditional Japanese and Chinese history and legend, rendered with great sensitivity and emotion. The moon appears in all but a few prints, providing a unifying motif for the series.

Yoshitoshi's innovative designs for the Moon series are often elegantly spare, with simple backgrounds that focus attention on the human figure. He combines the western influences of realism and perspective with qualities from traditional Japanese and Chinese painting, such as the emphasis on calligraphic brushstroke. The figures are carefully drawn with beautiful line work, conveying a real sense of individual character, gesture, and emotion. Special printing techniques such as embossing and burnishing add a sumptuous touch where appropriate, but simple subjects are conveyed in a likewise manner, no less carefully observed.

Prints from the series were released singly or in groups every few months, with the final image completed shortly before Yoshitoshi's death. The series proved tremendously popular, with patrons lining up to purchase the new releases as soon as they became available. Today, "One Hundred Aspects of the Moon" remains Yoshitoshi's most well-known work, characterized by his artistry, compassion, and sensitivity in portraying the human experience.

Under the Moonflower Bower - A peasant couple relaxes at the end of a summer day with their infant child. Yoshitoshi depicts the couple without political or comical overtones, but instead with sympathy and affection. The man leans back with a kettle of sake while the woman's light jacket falls off of her shoulder, perhaps she is nursing the baby whose head is seen between the couple. A nice print with a lovely subject, the light blues and green imbuing the print with a feeling a calm.

Artist - Yoshitoshi (1839 - 1892)

Image Size - 12 7/8" x 8 3/4" + margins as shown

Condition - This print with excellent color and detail as shown. Soiling. Please see photos for details. Good overall.