Osaka Prints - Produced in the Kansai region, including Osaka and Kyoto, Osaka prints or kamigata-e are instantly distinguishable from typical Edo ukiyo-e. A major difference is the choice of subject matter. Osaka prints were nearly always portraits of actors or kabuki scenes. In contrast, Edo print subjects included beauties, landscapes, nature scenes, warriors, and historic events, in addition to kabuki.
Distinctly different artistic styles also emerged in Edo and Osaka in the 18th and 19th century, resulting in certain recognizable characteristics for each area. Osaka prints feature more subtle, serious figures, reflecting the wagoto or soft style of acting prevalent in the area, along with distinctive facial expressions. The aragato or brash manner of acting popular in Edo influenced print designs towards bolder images of heroism and military prowess.
Much like the style of the prints, the demand for ukiyo-e in the cities of Osaka and Edo also varied. Osaka produced far fewer ukiyo-e designs than Edo did. As a consequence, Osaka prints are rarer and also some of the highest quality prints made in the 19th century, with many featuring deluxe techniques such as burnishing or embossing. Osaka prints are a rare and wonderful collecting area of Japanese woodblocks.
Oban Osaka Kabuki Prints - Most Osaka kabuki prints were done in the smaller chuban size, so full oban format kamigata-e are rarely seen.
These larger Osaka kabuki woodblocks are a great choice for a collector.
Actor as Fujinami Yukarinosuke - Handsome kabuki portrait of an actor as Fujinami Yukarinosuke. He wears a purple kimono patterned with cherry blossoms, a butterfly crest on his shoulders and sleeves. Many butterflies flutter about his head. Nicely detailed with burnished lines to indicate the folds of the umbrella and mica on the light blue collar.
Artist - Yoshitaki (1841 - 1899)
Image Size - 14" x 9 1/4" + margins as shown
Condition - This print with beautiful color and detail as shown. Tiny repair, stain at edge. Please see photos for details.
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